11.11.2014: Melting the Darkness, Miranda Cuckson's new recording of works for solo violin involving electronics and microtones by Xenakis, Georg Friedrich Haas, Oscar Bianchi, Chris Burns, Ileana Perez-Velazquez, Robert Rowe, and myself is now available here in CD form, as well as for digital download! Melting the Darkness was selected as one of the best releases of 2015 by Downbeat magazine!
Since September 2015, I have been directing the Music program at the iCLA (International College of Liberal Arts) of Yamanashi Gakuin University in Kofu, Japan. For program, event, and faculty information, as well as relevant media and links, please click here.
In December 2016, I collaborated with Decibel New Music Ensemble (Perth) on fcremap’dB, a new work for ensemble and live electronics. The piece were performed at the Tokyo Wonder Site Hongo, iCLA (Yamanashi Gakuin University), and Kunitachi College of Music.
Future Creatures and detritus | reconstructions were selected for the NWEAMO 2016 festival in Tokyo, and will be presented in San Diego in March 2017.
fcrlremap and VURTRUVURT were presented at the Daegu Art Factory and Daegu Concert House Chamber Hall (Korea) on 14 and 15 October, respectively.
I was selected for a Musical Research Residency at IRCAM (Paris), undertaken since January 2013. During this residency, I have been completing alarm/will/sound, a site-specific installation project and series of (re)designed car alarm prototypes, in conjunction with the IRCAM Sound Perception and Design (PDS) team and German product designer/visual artist Matthias Megyeri. Details here.
Here is the video of a presentation given at IRCAM during the first phase of my residency.
works in progress:
the kingdom of glottis: a three-part opera based on three films of Damir Ocko
fcremap’dB for Decibel New Music Ensemble (to be premiered December 2016 at Tokyo Wonder Site Hongo)
paleoecology n/a for Nordic Affect (to be premiered in 2017)