news/updates

releases: 

17.02.2018: réflexe, featuring performances by Nico Couck, Ensemble Modelo62, Duo Harpverk, and Eliot Gattegno, is out on Lotus-Open-Factory (Montpellier, France). This release includes a “music video” by Jon Weinel, and as a bonus track, detritus II  by Colin Elliott and myself. May be streamed and downloaded here. 


16.11.2017: fcremap, a series of works based on the animation piece Future Creatures, has been released on New Focus Recordings!  More product/purchase  information here. 


11.11.2014: Melting the Darkness, Miranda Cuckson's new recording of works for solo violin involving electronics and microtones by Xenakis, Georg Friedrich Haas, Oscar Bianchi, Chris Burns, Ileana Perez-Velazquez, Robert Rowe, and myself is now available here in CD form, as well as for digital download! Melting the Darkness was selected as one of the best releases of 2015 by Downbeat magazine! 

41ycOArEzCL. SL500 AA280


related: 

fcremap’dB has been selected for Score Follower’s Follow My Score Fall 2017 season. The score + recording may be viewed/heard here. 

Since September 2015, I have been directing the Music program at the  iCLA (International College of Liberal Arts) of Yamanashi Gakuin University in Kofu, Japan. For program, event, and faculty information, as well as relevant media and links, please click here. 


performances/events: 

フロー_remix has been selected for the NWEAMO 2018 festival in San Diego. 

On 12 November 2017, I gave a portrait concert/fcremap CD release event at Spectrum (NYC), featuring performances by Lester St. Louis,  Jordan Dodson, Charlotte Mundy, and Hajnal Pivnick. 

Programme included the premiere of フロー for voice, guitar, and live electronics, as well as the shining pillar of anti-beauty (int-0), VURTRUVURT, and fcremapercremaflvln, and a screening of Future Creatures. The concert culminated in a group improvisation.

down the bottle was performed at ICMC 2017 in Shanghai on 17 October 2017.


projects/residencies: 

I was selected for a Musical Research Residency at IRCAM (Paris), undertaken since January 2013. During this residency, I have been completing alarm/will/sound, a site-specific installation project and series of (re)designed car alarm prototypes, in conjunction with the IRCAM Sound Perception and Design (PDS) team and German product designer/visual artist  Matthias Megyeri. Details here


works in progress:

the kingdom of glottisa three-part opera based on three films of Damir Ocko  (for Fonema Consort, Chicago) 

Minotaur, a performance installation for dance, live painting, video, and sound sculpture (with Erika Tsimbrovsky, choreographer and  Vadim Puyandaev, visual artist)



© Alexander Sigman 2013-2018